PAL JOEY: THE PLAYBILL OF THE BROADHURST THEATRE.
New York: Broadhurst Theatre, Monday, June 30, 1952. 28 pages. More
Drama
ARISTOPHANES THESMOPHORIAZUSAE.
Oxford: Oxford University Press, 2008. 469 pages. More
GREEK COMEDY AND THE DISCOURSE OF GENRES.
Cambridge: Cambridge University Press, 2013. First edition. 420 pages. More
DA CAPO: Selected Writings 1967-2004
XLibris, 2008. Email announcement for Release and signing for book laid-in; Inscribed by the author on half-title page signed 'Tom' and with full author signature on title page; 263 pages. More
THE OPEN DOOR: Toughts on Acting and Theatre
Anchor, 2005. 145 pages. More
THE QUALITY OF MERCY: Reflections on Shakespeare
New York: TCG, 2014. 116 pages. More
LIFE A DREAM.
Studio City: Players Press, 1992. Translation by Edward Fitzgerald; Edited and Introduction by William-Alan Mandes; 60 pages. More
GOETHE AND THE WEIMAR THEATRE.
Ithaca: Cornell University Press, 1978. First edition. 47 illustrations; 328 pages. More
THE PROMISED LAND.: A Drama of a People's Deliverance in Five Acts (In the Elizabethan Style)
London: Swan Sonnenschien, 1909. New Edition with Alterations. 122 pages. More
ACTING ONE.
Mayfield, 1991. Second edition. 219 pages. More
A NIGHT AT AN INN.
New York: Sunwise Turn, 1916. First edition. First printing; First publication by Sunwise Turn; Neighborhood Playhouse Plays No. 1; 34pages. More
STANISLAVSKY IN PRACTICE: Actor Training in Post-Soviet Russia
New York: Peter Lang, 2008. First printing. 235 pages. More
MY ELDEST SON.
Norfolk, VA: Corinthian, 1986. First edition. 163 pages. More
LAZARUS AND HIS BELOVED: A ONE-ACT PLAY.
London: Heinemann, 1973. First UK edition. 64 pages. More
LAZARUS AND HIS BELOVED: A ONE-ACT PLAY.
New York: New York Graphic Society, 1973. First edition. 64 pages. More
TO BE YOUNG GIFTED AND BLACK: An Informal Autobiography
New York: Signet, 1970. Later printing. Inscribed by Robert Nemiroff, editor and former husband of Lorraine Hansberry, to actor Terry Hinz; Introduction by James Baldwin; 271 pages. More
STRIKE THE PUMA.
Paris: Gonthier, 1966. First edition. The well known artist's second play, inludes a principal character names G., with obvious references to G.I.G.; 136 pages. More
THE PLAYWRIGHT AS MAGICIAN.: Shakespeare's Image of the Poet in the English Public Theater
New Haven: Yale University Press, 1979. First edition. 164 pages. More
SHAKESPEARE AND CANADA:: Essays on Production, Translation, and Adaptation
Peter Lang, 2004. First edition. 190 pges. More
FREEING THE NATURAL VOICE.
New York: Drama Book, 1976. 210 pages. More
AGLAVAINE AND SELYSETTE.: A Drama in Five Acts
New York: Dodd Mead, 1911. First U.S. edition. Introduction and translation b Alfred Sutro; 165 pages. More
ALLADINE ET PALOMIDES, INTERIEUR, ET LA MORT DE TINTAGILES:: Trois Petits Drames pour Marionetes
1894. First printing. Collection du Reveil a Bruxelles Chez Edmond Deman Libraire; Half leather bound with top page edges gilt, marbled paper covered boards and end-papers; Original paper wraps bound in at back; 193 pages. More
STANISLAVSKY: A LIFE.
London: Macgibbon & Kee, 1950. First edition. 414 pages. More
RENAISSANCE MAGIC AND THE RETURN OF THE GOLDEN AGE: The Occult Tradition and Marlowe, Jonson, and Shakespeare
Lincoln: University of Nebrasca Press, 1992. 327 pages. For all their pride in seeing this world clearly, the thinkers and artists of the English Renaissance were also fascinated by magic and the occult. The three greatest playwrights of the period devoted major plays (The Tempest, Doctor Faustus, The Alchemist) to..... More