SHIRAZ.: The City of the Poets Sa'adi and Hafez, The City of Flowers and Nightengales
Shiraz: Learned Society of Pars, 1958. First edition. Numerous illustrations; Translated by R.N. Sharp; 110 pages plus many pages of photographs. More
Art
THE LOVES OF KRISHNA IN INDIAN PAINTING AND POETRY.
New York: Macmillan, N.D., c. 1958. Ethical and Religious Classics of East and West, No. 18; 127 pages plus 39 black-and-white plates and a color frontis. More
THE TRANSFORMATIVE VISION: REFLECTIONS ON THE NATURE AND HISTORY OF HUMAN EXPERIENCE.
Berkeley: Shambhala, 1975. First edition. 364 pages. More
CREATIVITY: THE MAGIC SYNTHESIS.
New York: Basic Books, 1976. Second printing. More
ARTHUR WILLIAM HEINTZELMAN.
New York: Minton, Balch & Co, 1927. 27 pages. More
THE SCATTERED PORTIONS: WILLIAM BLAKE'S BIOLOGICAL SYMBOLISM.
Athens: Privately Published, 1986. First edition. 77 illustrations; 260 pages. More
LONDON BUTTETIN NO 3, JUNE 1938.
London: London Gallery, 1938. 28 pages sewn into paper wraps; Original order form laid in. More
THE STORY OF PAINTING: The Essential Guide to the History of Western Art
New York: Dorling Kindersley, 1994. Second printing. 11" x 8.5"; 400 pages. More
THE PASSIONATE SIGHTSEER, FROM THE DIARIES, 1947 TO 1956.
New York: Simon and Schuster & Abrams, 1960. First edition. 168 illustrations, 3 of which are in color. More
THE SELECTED LETTERS OF BERNARD BERENSON.
London: Hutchinson, 1965. First edition. More
FORTY YEARS WITH BERENSON.
New York: Knopf, 1966. First edition. Introduction by Kenneth Walker. More
ILLUMINATED MANUSCRIPTS: TRISTAN AND ISOLDE: from a manuscript of "The Romance of Tristan" (15th century)
Miller Graphics, 1978. 11" x 8.5"; 124 pages. More
AMERICA: A PROPHECY.
Normal IL: American Blake Foundation, 1974. Introduction by G.E. Bentley and signed by him; Limited edition limited to 500 number and signed copies; Materials for the Study of William Blake Series Volume I; 20 pages of text and 26 plates of the reproducing the original manuscript. More
THE PROPHETIC WRITINGS OF WILLIAM BLAKE.
Oxford: Oxford University Press, 1964. In Two Volumes; Edited with a genaral Introduction, Glossarial Index of Symbols, Commentary and Appendices by D.J. Sloss and J.P.R. Wallis; xv, 649 & xxii, 361 pages. More
WILLIAM BLAKE: 1757-1827.
Philadelphia: Philadelphia Museum of Art, 1939. A descriptive Catalogue of an exhibition of the works of William Blake selected from collections in the United States; 175 pages. More
STRUCTURIST RELIEFS 1966 - 1975.
1975. First printing. Exhibition Catalogue from the Saskatoon Public Library Art Gallery; Hand-written note signed by the author/artist laid-in; 23 pages, 11 color photographs. More
LONDON BUTTETIN NO 2, MAY 1938.
London: London Gallery, 1938. 25 pages sewn into paper wraps. More
ZUNIGA: THE COMPLETE GRAPHICS.
New York: Alpine Fine Arts, 1984. First printing. Signed presentation copy from the Jerry Brewster to Dushka Howarth; Price list and promotional mailing for the related show laid-in; Interview and essay by Burt Chernow; 245 pages. More
ALBRECHT DURER LANDSCHAFTSAQUARELLE.
Berlin: Die Silberman Ducher, 1934. Eleven beautiful color illustrations of Durer's landscapes on heavy paper; Text in German;. More
VALUES OF ART: Pictures, Poetry, and Music
New York: Viking Press, 1995. 213 pages. More
THE ARTS OF ANCIENT KOREA.
Seoul: Kwang Myong, 1979. Second edition. 397 pages with 273 plates. More
DESTINATION MARS IN ART, MYTH, AND SCIENCE.
New York: Penguin Books, 1997. First printing. 228 pages. More
THE WORD ACCOMPLISHED.
London: World's End Press, N.D., c. 1980. 8 1/2 X 11 paperback facsimile reproduction of the fine press edition. Illustrated with ethings by Natalie d'Arbeloff. More
THE WORD ACCOMPLISHED.
New York: Philosophical Library, N.D., c. 1950. First edition. 176 pages. More
STUDIES IN COMPARATIVE RELIGION, VOL 11, NUMBER 4.
Middlesex: Perennial Books, 1977. Contents include Consequences Flowing from the Mystery of Subjectivity by Frithjof Schuon, The Bollingen Coomaraswamt Papers and Biography by Whitall Perry, 'To Be, or Not to Be' by Philip Sherrard, The Symbolism of the Taoist Garden by J.C. Cooper, and Tradition, Intelligence and the Artist by..... More