Shiraz: Learned Society of Pars, 1958. First edition. Numerous illustrations; Translated by R.N. Sharp; 110 pages plus many pages of photographs. More about SHIRAZ.; The City of the Poets Sa'adi and Hafez, The City of Flowers and Nightengales
New York: Institute for the Study of the Ancient World and Princeton University Press, 2010. 252 pages; Numerous color illustrations. More about THE LOST WORLD OF OLD EUROPE; The Danube Valley, 5000-3500 BC
New York: Macmillan, N.D., c. 1958. Ethical and Religious Classics of East and West, No. 18; 127 pages plus 39 black-and-white plates and a color frontis. More about THE LOVES OF KRISHNA IN INDIAN PAINTING AND POETRY
Berkeley: Shambhala, 1975. First edition. 364 pages. More about THE TRANSFORMATIVE VISION: REFLECTIONS ON THE NATURE AND HISTORY OF HUMAN EXPERIENCE
New York: Basic Books, 1976. Second printing. More about CREATIVITY: THE MAGIC SYNTHESIS
New York: Minton, Balch & Co, 1927. 27 pages. More about ARTHUR WILLIAM HEINTZELMAN
New York: Tudor, 1961. First printing. 140 pages with many tipped in color plates. More about CHRSIT'S IMAGE
New Haven: Yale University Press, 2013. First printing. 608 pages. More about PARIS 1650-1900; Decorative Arts in the Rijksmuseum
Phoenix: Heard Museum of Anthropology and Primitive Art, 1971. 48 color illustrations. More about DANCING KACHINAS; A Hopi Artist's Documentary
Athens: Privately Published, 1986. First edition. 77 illustrations; 260 pages. More about THE SCATTERED PORTIONS: WILLIAM BLAKE'S BIOLOGICAL SYMBOLISM
New York: Reporter Publications, 1953. Gentry was a men's high-fashion men's magazine published by William Segal with an editorial board headed by Christopher Fremantle; In addition to fashion, it includes articles on philosophy art culture and world religions; An elaborate element of the magazine is that in includes tipped-in cloth... More about GENTRY, NO. EIGHT, FALL 1953
New York: Simon and Schuster & Abrams, 1960. First edition. 168 illustrations, 3 of which are in color. More about THE PASSIONATE SIGHTSEER, FROM THE DIARIES, 1947 TO 1956
London: Hutchinson, 1965. First edition. More about THE SELECTED LETTERS OF BERNARD BERENSON
London: Robin Clark, 1991. 144 pages. More about SKETCH FOR A SELF PORTRAIT
New York: Knopf, 1966. First edition. Introduction by Kenneth Walker. More about FORTY YEARS WITH BERENSON
Vienna: Anton Schroll, 1976. First edition. 132 illustrations; 143 pages. More about JOSEPH BINDER: AN ARTIST AND A LIFESTYLE
Normal IL: American Blake Foundation, 1974. Introduction by G.E. Bentley and signed by him; 20 pages of text and 26 plates of the reproducing the original manuscript. More about AMERICA: A PROPHECY
Oxford: Oxford University Press, 1964. In Two Volumes; Edited with a genaral Introduction, Glossarial Index of Symbols, Commentary and Appendices by D.J. Sloss and J.P.R. Wallis; xv, 649 & xxii, 361 pages. More about THE PROPHETIC WRITINGS OF WILLIAM BLAKE
Philadelphia: Philadelphia Museum of Art, 1939. A descriptive Catalogue of an exhibition of the works of William Blake selected from collections in the United States; 175 pages. More about WILLIAM BLAKE: 1757-1827
1975. First printing. Exhibition Catalogue from the Saskatoon Public Library Art Gallery; Hand-written note signed by the author/artist laid-in; 23 pages, 11 color photographs. More about STRUCTURIST RELIEFS 1966 - 1975
New York: Alpine Fine Arts, 1984. First printing. Signed presentation copy from the Jerry Brewster to Dushka Howarth; Price list and promotional mailing for the related show laid-in; Interview and essay by Burt Chernow; 245 pages. More about ZUNIGA: THE COMPLETE GRAPHICS
Berlin: Die Silberman Ducher, 1934. Eleven beautiful color illustrations of Durer's landscapes on heavy paper; Text in German;. More about ALBRECHT DURER LANDSCHAFTSAQUARELLE
Seoul: Kwang Myong, 1979. Second edition. 397 pages with 273 plates. More about THE ARTS OF ANCIENT KOREA
New York: Penguin Books, 1997. First printing. 228 pages. More about DESTINATION MARS IN ART, MYTH, AND SCIENCE
New Haven: Yale University Press, 2010. First printing. Foreward by Phil Kline; Essays by Tanya Harrod, Michelle Mickey, Glenn Adamson and Annie Carlano; 215 pages, numerous color illustrations. More about CONTEMPORARY BRITISH STUDIO CERAMICS