THE SHORT STORIES OF KATHERINE MANSFIELD.
New York: Knopf, 1937. First U.S. edition. 688 pages. More
Literature
THE CRITICAL BIBLIOGRAPHY OF KATHERINE MANSFIELD.
London: Constable, 1931. First edition. Limited to 1000 copies; 204 pages. More
THE TRIAL OF THE POET: AN INTERPRETATION OF THE FIRST EDITION OF LEAVES OF GRASS.
New York: Columbia University, 1976. First edition. More
A BOOK OF PROSE SELECTIONS.
New York: Macmillan, 1950. 186 pages. More
THE ENDURING RIVER: EDGAR LEE MASTERS' UNCOLLECTED SPOON RIVER POEMS.
Carbondale: Southern Illinois University Press, 1991. First edition. Review Slip laid in; 100 pages. More
ANGELS UNAWARES: 20TH CENTURY PORTRAITS.
New York: Ticknor and Fields, 1985. First edition. 294 pages. More
A WRITER'S NOTEBOOK.
Garden City: Doubleday, 1949. First trade edition. 367 pages. More
JEAN TOOMER, ARTIST: A STUDY OF HIS LITERARY LIFE AND WORK, 1894-1936.
Chapel Hill: University of North Carolina, 1984. 262 pages. More
A COMMENTARY ON GOETHE'S FAIRY TALE.
Glasgow: 1982. Although written in the closing decades of the 18th century, it has essential archetypal links with the classical alchemical allegories, such as the Chymical Wedding of Christian Rosencreutz, which to some extent was used by Goethe as a model or at least a starting point for the construction..... More
RENAISSANCE MAGIC AND THE RETURN OF THE GOLDEN AGE; The Occult Tradition and Marlowe, Jonson, and Shakespeare
Lincoln: University of Nebrasca Press, 1992. For all their pride in seeing this world clearly, the thinkers and artists of the English Renaissance were also fascinated by magic and the occult. The three greatest playwrights of the period devoted major plays (The Tempest, Doctor Faustus, The Alchemist) to magic, Francis..... More
INTRODUCTIONS EAST & WEST: THE FOREIGN PREFACES OF THOMAS MERTON.
Oakville: Mosaic Press, 1981. First Canadian edition. Edited by Robert E. Daggy; Foreword by Harry James Cargas; 144 pages. More
MONKS POND; Thomas Meron's Little Magazine
Louisville: University of Kentucky Press, 1989. First edition thus. Introduction by Robert E. Daggy; Afterward by Patrick Hart; Gift inscription signed Jonathan (Jonathan Montaldo, Director of the Thomas Merton Center); 351 pages. More
THE SECULAR JOURNAL OF THOMAS MERTON.
New York: Farra Straus & Cudahy, 1959. First edition. 270 pages. More
THE SECULAR JOURNAL OF THOMAS MERTON.
New York: Farra Straus & Cudahy, 1959. First edition. 270 pages. More
THOMAS MERTON: CONTEMPLATIVE CRITIC.
San Francisco: Harper & Row, 1982. More
LIGHTS IN THE NIGHT.
London: Signet, 1983. First edition. 95 pages. More
MILTON ON HIMSELF.
New York: Humanities Press, 1965. Milton's utterances upon himself and his works. Edited with an introduction and notes by John S. Diekhoff. More
PARADISE REGAINED.
London: Eric Partridge, 1932. Newly edited with an introduction by E.H. Blakeney; Limited to 600 copies (550 for sale); 187 pages. More
THE SAILOR WHO FELL FROM GRACE WITH THE SEA.
New York: Berkeley, 1971. 144 pages. More
HAPPY VALLEY.
Corvallis: Oregon State University Press, 1990. Introduction by Karen Blair; 347 pages. More
MICHEL DE MONTAIGNE.
Port Washington: Kennikat, 1970. More
BIRDS OF AMERICA.
New York: Knopf, 1998. First edition. 291 pages. More
HUMAN BEING.
New York: Doubleday Doran, 1932. later. More
INTERNAL REVENUE.
Garden City: Doubleday Doran, 1933. First edition. Inscribed by Morley on free end paper; 308 pages plus 15 pages of illustrations. More