New York: J.H. Sears, 1928. First printing. Like much of Munson's work, there is nothing directly about the Gurdjieff work but the general perspective is informed by Orage and his presentation of Gurdjieff's ideas. Includes a chapter on Jean Toomer and a section on Katherine Mansfield's thoguths about art taken..... More
New York: Greystone, 1942. First printing. With Abridged Versions of Texts that have Shaped History; 280 pages. More
London: 1933. 24 pages. More
London: Jonathon Cape, 1929. First. 317 pages. More
Carbondale: University of Illinois, 1972. Second edition. Edited by Richard Rees; Preface by Harry T. Moore. More
Indianapolis: Bobbs-Merrill, 1952. First edition. More
New York: Knopf, 1920. First edition. 191 pages. More
Monkfish, 2015. 208 pages. More
New York: Dutton, 1995. First edition. 276 Pages. More
New York: Henry Holt, 1922. Book Club. 268 pages. More
London: 1932. 24 pages. More
New York: Putnams, 1976. First printing. 250 pages. More
New York: Boni and Livergiht, 1924. First printing. 170 pages. More
New York: Coward-McCann, 1952. First edition. 1,297 pages. More
London: J.M. Dent & Sons, 1936. First edition. Frontis portrait of Orage; Introduction by G.K. Chesterton; 140 pages. More
University Books, 1966. Frontis portrait of Orage; Introduction by G.K. Chesterton; 140 pages. More
Budapest: Pogany Jozsef, 1942. Eraly Hungarian edition of this Hungarian english author's most famous book; 27o pages. More
Place du Petit Sablon: La Renaissance du Livre, 1963. First printing. French edition; 253 pages. More
Budapest: Szepirodalmi Konyvkiado, 1969. 702 pages. More
New York: Macmillan, 1901. 274 pages. More
New York & London: Macmillan, 1985. First edition. 319 pages. More
London: Macmillan, 1924. 153 pages. More
London: Macmillan, 1924. 351 pages. More
London: Macmillan, 1925. 252 pages. More
Oregon House: Petrarch Press, 2004. Francesco Petrarca is best known as one of the first writers to experiment with the Italian vernacular for poetic expression. For his letters, however, he relied on the lingua franca of Latin, developing a sophisticated yet intimate style that returned to the more classical forms..... More